I’m listening to 100 songs, that’s it, because I have so many ways to listen to music.
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Because Joe is actually engaging with our thing, not just streaming a song for free, like a Pavlov’s (dog), mouth salivating every time he hears ‘Old Town Road.'” He follows 500 bands, which means there’s no possible way that he’s gonna be listening to all 500 of those bands in even a six-month period of time - but when he does choose to listen to a song, it’s worth like 10 times, versus this person who’s listening to ‘Old Town Road’ a thousand times a day. “What they need to do, in my opinion, is say, ‘This guy Joe has good taste in music.
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There’s a royalty rate if you pay for Spotify, and a royalty rate for if you’re listening on the free service.” But he thinks royalties should be adjusted for listeners like himself who choose quality over quantity. Spotify’s royalty rates: Carney’s bigger complaint with Spotify remains that “they treat almost every stream the same. They paid it to us in the way the label does: they paid it as an artist royalty and took all these deductions out of it, and it was a made-up number.”
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Which there was - billions of dollars of stock was sent.” Warner Records, he said, “gave us like a couple hundred thousand dollars of the billion. At that moment, I realized, oh yeah, there’s some stock being floated to these companies. What they do with the money, he can’t control. But, Carney added, “He basically, without explaining it directly, was saying that he’s paying our label to get our music. Spotify getting in bed with the labels: Carney says that after “being quoted in Rolling Stone talking s- about Sean Parker and Spotify,” he got a conciliatory email from Daniel Ek, who’s “a nice guy, very intelligent,” which led to constructive conversations. We wouldn’t have changed, but the thing is, you start acquiring a fan base that’s more fickle and maybe more annoying.” “If we would have won that Grammy, it could have f-ed our whole band up. He also said that Warner Records told the group when they were up for record of the year for “Lonely Boy” that if they won, a plan was in place to cross the song over to top 40 radio - which he’s thankful didn’t happen. Does anybody watch this sh– that really cares about us? I don’t think so.” … What is a f–ing Grammy? Like, what is this sh–? We’re just j-ing ourselves off and congratulating ourselves. As Carney told Rogan: “None of my favorite bands have f–ing Grammys. Ultimately, Carney said they’d return if asked, but to hear the drummer tell it, there’s not much reward at the end of the line. I mean, it really is like so alienating.” But we had sat through the Grammy performance before and it was atrocious. “But we couldn’t say no we couldn’t knock it till we tried it. “Playing music on stage with all this pop stuff that has nothing to do with what we’re about,” Carney said. The Grammys: Recalling a time when the Black Keys were invited to perform on the awards show in 2013, Carney admits to having been conflicted about the appearance. He’s like, ‘Well, there’s a good chance it’s gonna get canceled, and if you cancel it, you’re not gonna get paid.’ I was like, why would we want to headline a festival that gets canceled?’… I don’t feel comfortable taking money like that.” B, I don’t want to play that as our first show back’. Our agent was like, ‘What the…? Are you sure you want to?’ I was like, ‘Cancel it.’ It took ‘em four days of him checking in: ‘Are you sure?’ We’re like, ‘Cancel it. “It was more money than we’d ever been paid for a show. On being the first band to back out of Woodstock, long before its troubles became apparent to all, Carney admitted it had less to do with the cited scheduling conflicts than other issues. Woodstock: When it comes to music festivals, “I think we’re one of the few bands with a drum set” that’s still playing them, Carney said. If Dan and I were just our own record label, we could give ourselves five dollars per ticket. By giving the money back that we’ve sold on tickets to Warner Bros., to a record label. … So in other words we would pay $10 per sale on Nielsen SoundScan. But we’re being told, ‘It’s only way you’re gonna get a No.
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That doesn’t make any sense to me and to Dan. Carney said Warner, which distributes their label, Nonesuch, “asked if we were interested in a bundle, which is when you include your record with a ticket, and give five dollars from each ticket back to Warner Brothers and then you would get a record sale.
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Bundling: The practice of bundling - or including a digital download in the sale of a concert ticket, T-shirt or product - is just a way to goose the charts, Carney insisted, explaining that the band’s motivation for turning down the bundling offer presented by Warner Records was a matter of dollars and sense.